Coe ring in gold, silver, tiger's eye and citrine quartz
Coe ring in 9k or 18k gold, sterling silver, tiger's eye and citrine quartz
207,00 € – 327,00 €
Handmade 9k or 18k gold ring, 25×11 mm semicircle, 25×11 mm tiger eye. and citrine quartz of 6 mm. Sterling silver hoop.
The Tiger's Eye It comes from India and is a mixture of several brown and yellow colored minerals such as quartz, limonite and riebeckite. Its iridescence and pigmentation are reminiscent of the tiger's iris. In Ancient Egypt it was used in sculpture to shape the eyes of deities thus representing divine vision.
The quartz It is a mineral composed of silica that is present in igneous, metamorphic and sedimentary rocks. It is the most abundant mineral in the earth's crust, and its name derives from the German quartz which means "hard".
The citrine quartz is a variety of quartz with a high concentration of hydrated iron oxide that gives it its characteristic lemon yellow color (citron in French it means “lemon”). It is possible to find this mineral naturally in places where volcanic activity has deposited sediments over the years. It comes from deposits in Brazil and Africa.
Craft time is a time that takes us out of the urgency of everyday life. A time that obeys the materials with which he works, listening to them and accompanying them. It is therefore a gesture far from routine, the one that machines repeat over and over again. The time for crafts in Belén Bajo is also the time for durable materials, metals, stones, to which timeless, simple shapes are proposed, with a certain geometric flavor.
Belén Bajo jewelery seeks maximum formal simplicity without giving up a playful touch. In part, its formal universe comes from the Central European rationalist and functional culture, its Mediterranean roots and the survival of the plastic forms of the culture of Al-Andalus in which a geometrized nature is presented by means of infinite patterns.
About Bethlehem Bajo
Belén Bajo trained at the School of Fine Arts in Madrid. There, from formal experimentation, the accumulation of references and manual work, he developed a way of understanding both plastic creation, a universe of chromatic and material abstractions, as well as the value of the roundness of objects as carriers of symbolic meanings.