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Ava ring in gold, silver, rose quartz, rhodochrosite and moonstone.

Ava ring in 9k or 18k gold, sterling silver, rose quartz, rhodochrosite and gray moonstone

455,00 1.001,00 

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Handcrafted 9k or 18k gold ring with three 12x10 mm rose quartz, rhodochrosite and gray moonstone cabochons. Sterling silver hoop.

The quartz It is a mineral composed of silica that is present in igneous, metamorphic and sedimentary rocks. It is the most abundant mineral in the earth's crust, and its name derives from the German quartz which means "hard".

The pink quartz It is a variety of quartz that comes from Brazil and owes its color to the presence of phosphorus and aluminum.

The rhodochrosite It is a mineral from South Africa that belongs to the group of calcites. It forms in deposits rich in manganese and iron, which gives it its characteristic pink color. It usually has whitish bands.

The Moon Stone It comes from Burma and is the common name for the opalescent microcline. It is white, gray or orange.

SKU: s-1293-quartz-rhodochrosite-piedraluna
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craft culture

Craft time is a time that takes us out of the urgency of everyday life. A time that obeys the materials with which he works, listening to them and accompanying them. It is therefore a gesture far from routine, the one that machines repeat over and over again. The time for crafts in Belén Bajo is also the time for durable materials, metals, stones, to which timeless, simple shapes are proposed, with a certain geometric flavor.

Stylistic influences

Belén Bajo jewelery seeks maximum formal simplicity without giving up a playful touch. In part, its formal universe comes from the Central European rationalist and functional culture, its Mediterranean roots and the survival of the plastic forms of the culture of Al-Andalus in which a geometrized nature is presented by means of infinite patterns.

About Bethlehem Bajo

Belén Bajo trained at the School of Fine Arts in Madrid. There, from formal experimentation, the accumulation of references and manual work, he developed a way of understanding both plastic creation, a universe of chromatic and material abstractions, as well as the value of the roundness of objects as carriers of symbolic meanings.