chameleon quartz
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Sya necklace in 18k gold-plated silver and carnelian agate
Sya necklace in 18k gold plated 925 silver and carnelian agate
143,00 €
In stock
Characteristic
Handmade 18k gold plated 925 silver necklace and 35 mm circular carnelian agate piece. 18k gold plated silver bar measuring 37x4 mm. Necklace length 65 mm. Gold galvanized steel chain.
Materials
The agate It is a microcrystalline quartz of the chalcedony family that comes from Brazil. It is volcanic in nature and owes its variety of colors to the multiple inclusions that were deposited during its formation and subsequent cooling. Its name comes from the Achates river, in Sicily, where it was found for the first time.
The carnelian agate, also called carnelian, it is a variety of agate. It has a reddish color that goes from orange to brown, due to the presence of iron oxide.
It has been used as a gem in jewelry making since Greek and Roman antiquity.
There are deposits in many parts of the world such as Brazil, the United States, Madagascar or Mongolia.
- Handmade product
- Free shipping on the peninsula
- Delivery in 15 business days
SKU: c-1779-p-ágata-carneola
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craft culture
Craft time is a time that takes us out of the urgency of everyday life. A time that obeys the materials with which he works, listening to them and accompanying them. It is therefore a gesture far from routine, the one that machines repeat over and over again. The time for crafts in Belén Bajo is also the time for durable materials, metals, stones, to which timeless, simple shapes are proposed, with a certain geometric flavor.
Stylistic influences
Belén Bajo jewelery seeks maximum formal simplicity without giving up a playful touch. In part, its formal universe comes from the Central European rationalist and functional culture, its Mediterranean roots and the survival of the plastic forms of the culture of Al-Andalus in which a geometrized nature is presented by means of infinite patterns.
About Bethlehem Bajo
Belén Bajo trained at the School of Fine Arts in Madrid. There, from formal experimentation, the accumulation of references and manual work, he developed a way of understanding both plastic creation, a universe of chromatic and material abstractions, as well as the value of the roundness of objects as carriers of symbolic meanings.