Español 
English (UK) 
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Silver and black lava Sax earrings
Sax earrings in sterling silver and black lava
[display_stock_alert_form]
Characteristic
Handmade earrings made of sterling silver and 12 mm black volcanic lava beads. Earring length 65 mm. snap closure
Materials
The wash it is magma that emerges from the depths of the volcano and solidifies when it comes into contact with the cold surface. It can be dyed in different colors.
The silver It is a malleable and soft metal, so it is usually mixed with other metals that give it hardness. In the case of 925 thousandths silver, the alloy consists of 92.5% of pure silver and 7.5% of copper.
- Handmade product
- Free shipping on the peninsula
- Delivery in 15 business days
SKU: p-1738-p-black
Share this product!
craft culture
Craft time is a time that takes us out of the urgency of everyday life. A time that obeys the materials with which he works, listening to them and accompanying them. It is therefore a gesture far from routine, the one that machines repeat over and over again. The time for crafts in Belén Bajo is also the time for durable materials, metals, stones, to which timeless, simple shapes are proposed, with a certain geometric flavor.
Stylistic influences
Belén Bajo jewelery seeks maximum formal simplicity without giving up a playful touch. In part, its formal universe comes from the Central European rationalist and functional culture, its Mediterranean roots and the survival of the plastic forms of the culture of Al-Andalus in which a geometrized nature is presented by means of infinite patterns.
About Bethlehem Bajo
Belén Bajo trained at the School of Fine Arts in Madrid. There, from formal experimentation, the accumulation of references and manual work, he developed a way of understanding both plastic creation, a universe of chromatic and material abstractions, as well as the value of the roundness of objects as carriers of symbolic meanings.