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Zoe gold, silver and tiger eye necklace

Zoe necklace in 9k or 18k gold, sterling silver and tiger's eye

254,00 349,00 

Handmade necklace with 9k or 18k gold, sterling silver back plate and 40×20 mm semicircular onyx pieces. and 25×25 mm tiger eye. Golden sterling silver chain.

The onyx It is a variety of black agate, composed of silica, of volcanic origin. Its name comes from the Latin onyx  which means "nail". According to Greek legend, Eros cut Aphrodite's divine nails and scattered them on the sand so that their power would last, turning them into stone. The ancient Greeks called onyx all varieties of agate, from the lightest to the darkest. Later, the almost black variety was called onyx.
In Greek and Roman antiquity, this stone was used to make cameos in which goldsmiths carved the figures of famous people on pieces of onyx.
Throughout history, it has also been used to decorate seals, a type of ring worn by authorities to certify official transactions.
The largest producer of onyx is Mexico.

The Tiger's Eye It comes from India and is a mixture of several brown and yellow colored minerals such as quartz, limonite and riebeckite. Its iridescence and pigmentation are reminiscent of the tiger's iris. In Ancient Egypt it was used in sculpture to shape the eyes of deities thus representing divine vision.

SKU: c-1595-onyx-ojodetigre
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craft culture

Craft time is a time that takes us out of the urgency of everyday life. A time that obeys the materials with which he works, listening to them and accompanying them. It is therefore a gesture away from the routine gesture, the one that machines repeat over and over again. The craft time in Belén Bajo is also the time of durable materials, metals, stones to which timeless, simple forms with a certain geometric flavor are proposed.

Stylistic influences

Belén Bajo jewels seek maximum formal simplicity without giving up a playful touch. In part, its formal universe comes from the central European rationalist and functional culture, its Mediterranean roots and the survival of the plastic forms of the Al-Andalus culture in which a geometrized nature is presented by means of infinite patterns.

About Bethlehem Bajo

Belén Bajo trained at the School of Fine Arts in Madrid. There, from formal experimentation, the accumulation of references and manual work, he developed a way of understanding both plastic creation, a universe of chromatic and material abstractions, as well as the value of the roundness of objects as carriers of symbolic meanings.